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Il Villaggio

, 25,0030,00
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Entrata x il 2000

, 45,0050,00
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Two Sisters

, 25,0030,00
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Incontro Musicale

, 25,0030,00
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Marcia in

, 25,0030,00
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Floreal March

, 25,0030,00
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Scherzando con Strauss

, 50,0060,00
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Masino

, 25,0030,00
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Ernani

, , 25,0030,00
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Valentine

, 35,0040,00
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Serendipity

, 70,0080,00
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  • Il Villaggio

    ,

    Piece with a breezy gait and slightly faster than a typical march, which reflect   a rural village festival and the typical boldness of youth walking the streets of the village. Brilliant march composed for a joyous and celebratory occasion.

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    25,0030,00

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  • Entrata x il 2000

    ,

    Fanfare and theme

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    45,0050,00

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  • Two Sisters

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    March with  a friendly and elegant tone. It is tangible evidence of the unlimited vitality of the best Italian march tradition. No significant technical difficulties.

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    25,0030,00

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  • Incontro Musicale

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    25,0030,00

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  • La Puerta del Vino

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    La Puerta del Vino by Claude Debussy
    Orchestration for symphonic band by M° Lorenzo Della Fonte
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    60,0070,00

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  • Floreal March

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    25,0030,00

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  • Scherzando con Strauss

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    50,0060,00

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  • The Incredibles

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    from Walt Dinsey Pictures
    main theme – music by Michael Giacchino
    Arranged for concert band by Picarband

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    Available only in paper format

    98,80 EUR

    98,80

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  • Masino

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    In memory of the composer's father Tommaso (nicknamed Masino as a child), who died prematurely, and the fact that he was a good musician and a fervent admirer of music for band, were the reasons that lead to the composition of this lovely march. The music is reminiscent of the joyful festivals which Masino always participated in, and in the “trio” the euphonium, his instrument, plays a melody in an accompanying style typical of a  symphonic march.

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    25,0030,00

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  • Ernani

    , ,

    March from the opera.

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    25,0030,00

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  • Valentine

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    March in 6/8 in a cheerful and serene tone. It has no particular technical difficulties and could be proposed in any type of program, especially in open spaces.

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    35,0040,00

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  • Serendipity

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    Serendipity is a term coined by the English writer Horace Walpole (1717-1797) to indicate the ability to discover at random something unexpected that has nothing to do with what you were looking for.

    The name comes from a legend according to which the Sultan of Serendip (ancient Arabic name of the island of Ceylon), leaves home in search of gold. After travelling across mountains and valleys and finding no gold, he discovers an excellent quality of tea which turns out to be more valuable than gold.
    Or just think of Christopher Columbus who in 1492 discovered the American continent while searching for a shorter route to India.

    The composer Carlo Pirola with SERENDIPITY took on this sense of adventure, that is to discover an unexpected musical idea, especially while searching for another one. A continuous surprise that only music can achieve.

    In this original composition for band, one captures moments of research, and finally finds out that they created a new musical idea which, in turn comes back and originates new ideas which will be needed to create other ones, and so on.
    It's a musical adventure in which the value of the experiences does not match the original expectations, but that eventually puts everything in order; a piece that teaches us to love and accept life, because, even though it is set and lived to reach certain milestones, it will have pleasant surprises in store for us.

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    70,0080,00

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  • Nabucco (Va’ pensiero)

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    Chorus & Concert Band Pdf Preview

    50,0060,00

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  • We Wish You a Merry Christmas

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    Typical Christmas music arranged by Picarband
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    30,0035,00

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  • Quattro giochi cromatici

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    For Concert Band

    Questa suite è costituita da quattro brevi quadri descrittivi di difficoltà esecutiva e d’insieme progressivamente crescente. Sono caratterizzati da una forte compattezza formale dovuta all'utilizzo prevalente di pochi spunti melodici, a loro volta spesso ricavati gli uni dagli altri. In “Ventaglio” l’armonia è prodotta dall'incontro di linee melodiche che si allontanano o si avvicinano – da qui il titolo – tramite utilizzo del moto contrario cromatico. “Nenia” prende dal primo brano i primi tre intervalli melodici esposti dall'euphonium e li utilizza a mo’ di tema cantabile distribuito in vari interventi solistici. Il terzo quadro musicale della suite è basato su un ostinato ritmico-melodico che descrive esattamente il titolo “Saliscendi”: periodicamente, in un’armonia totalmente consonante, s’inseriscono minuscoli frammenti presi a prestito dai due quadri precedenti. Infine, proprio con una ricapitolazione degli incipit musicali dei tre quadri già uditi, prende il via “Fuggifuggi” ossia un simpatico fugato su soggetto ancora una volta ricavato da spunti melodici già precedentemente ascoltati.

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    78,0090,00

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